Drive

Running Time: 100 minutes.
Media: Cinematic Release.

Drive is a really unusual movie... the third movie in my seven movie marathon on 29/10/2011.

And when I say "unusual", I mean "warped"... Drive is a crime drama which seems to start off in a manner similar to how we'd picture one of the films from Jason Stratham's The Transporter series. Ryan Gosling stars as the unnamed film stunt-car driver who moonlights as getaway driver, who despite his being much of a conversationalist seems to make up for this with his ability to put pedal to the metal.

In Drive, the Driver finds himself involved with jailbird husbands and their suffering families, Jewish mobsters and conspiracies; all which sends the film spiraling to an inevitable emptier conclusion than expected, which although ties up loose ends, does so sloppily and leaves you wondering how you wound up where you were at the end of the film. Given though, that this is an art-house kind of film, and not necessarily a Hollywood blockbuster, I have to shift my perspective accordingly.

There's a great sense of apathy in this film and it seems there's very little emotion displayed on the characters save for anger... and yet the Driver seems to be the only person who provides any real emotion... well, towards the second half of the film... aside from that, the Driver very rarely says anything more than five words at any one time, if that. This considerably screwed with my head as you would think the main character of a film would be the one who tends to have a considerable speaking part... The violence in this film increased almost exponentially as time went on and this also was a considerable cause for concern, as far as the audience's reaction was concerned.

This movie exhibits a lot of 80's themes, scenery, and references... the mobile phones, cars and clothing are very antiquated, and even the soundtrack is very 80's-influenced; which adds to the feel of the movie. But still, this movie left me reasonably uncomfortable in the end; whether this was due to the violence, or how it left me at the end, I'm not sure... At the 2011 Cannes Film Festival, Drive was praised and even received a standing ovation... To be perfectly honest, I simultaneously can and cannot imagine why either of these would be the case. I admit, the 80's themes and the quiet brroding nature of Gosling's role are novel, but a standing ovation and so forth are, in my personal opinion, somewhat questionable. I've decided to give this movie four stars.